Interesting Asian Art facts:

DRAGON MYTHOLOGY. A mythological animal of Chinese origin, and a member of the NAGA (Sanskrit) family of serpentine creatures who protect Buddhism. Japan's dragon lore comes predominantly from China. Images of the reptilian dragon are found throughout Asia, and the pictorial form most widely recognized today was already prevalent in Chinese ink paintings in the Tang period (9th century AD). The mortal enemy of the dragon is the Phoenix, as well as the bird-man creature known as Karura. In contrast to Western mythology, Asian dragons are rarely depicted as malevolent. Although fearsome and powerful, dragons are equally considered just, benevolent, and the bringers of wealth and good fortune. The dragon is also considered a shape shifter who can assume human form and mate with people.

Dragons figure importantly in folk beliefs throughout Asia, and are dressed heavily in Buddhist garb. In India, the birthplace of Buddhism around 500 BC, pre-Buddhist snake or serpentine-like creatures known as the NAGA were incorporated early on into Buddhist mythology. Described as "water spirits with human shapes wearing a crown of serpents on their heads" or as "snake-like beings resembling clouds," the NAGA are among the eight classes of deities who worship and protect the Historical BUddha. Even before the Historical Buddha (Siddhartha, Guatama) attained enlightenment, the Naga King Mucilinda (Sanskrit) is said to have protected Siddhartha from wind and rain for seven days. This motif is found often in Buddhist art from India, represented by images of the Buddha sitting beneath Mucilinda's hood and coils.

In China, however, dragon lore existed independently for centuries before the introduction of Buddhism. Bronze and jade pieces from the Shang and Zhou dynasties (16th - 9th centuries BC) depict dragon-like creatures. By at least the 2nd century BC, images of the dragon are found painted frequently on tomb walls to dispel evil. Buddhism was introduced to China sometime in the 1st and 2nd centuries AD. By the 9th century AD, the Chinese had incorporated the dragon into Buddhist thought and iconography as a protector of the various Buddha and the Buddhist law. These traditions were adopted by the Japanese (Buddhism did not arrive in Japan until the mid-6th century AD). In both China and Japan, the character for "dragon" (see orange-colored ideogram at top of page) is used often in temple names, and dragon carvings adorn many temple structures. Most Japanese Zen temples, moreover, have a dragon painted on the ceiling of their assembly halls.