Description
LIMITED EDITION OF 500 COPIES
Drinking is a pleasurable and social activity, enjoyed by most cultures of the world. In China, alcohol was used for feasts, festivals and religious ritual as early as the Neolithic age. In the West, beer, cider and porter were drunk on both convivial and solemn occasions. Vessels used to contain drink were often treasured containers, and time and care was spent on their manufacture and decoration. They needed to be practical, functional utensils, but also beautiful. When Chinese porcelain reached Europe an ideal match was made. Top quality wares were highly regarded luxury items, and they included tankards and mugs.
Maria Antónia Pinto de Matos is currently the director of the Museu Nacional do Azulejo in Lisbon, having previously been curator at the Museu Nacional de Arte Antiga, director of Casa-Museu Dr. Anastácio Gonçalves, and of the Portuguese Institute of Museums, also in Lisbon. She graduated in History from the Universidade Clássica de Lisboa, postgraduating in Museology. Since 1980, she has researched the field of Chinese export porcelain in general and that made for the Portuguese market in particular. She is the author of various books, catalogues and articles on Chinese export porcelain, a frequent lecturer on the subject and teaches regularly at Portuguese universities and other institutions.
Rose Kerr is Honorary Associate of the Needham Research Institute in Cambridge, after retiring as Keeper of the Far Eastern Department at the Victoria & Albert Museum. She graduated in Chinese studies from the School of Oriental and African Studies and spent a year as a student in China during the last year of the Cultural Revolution, 1975-1976. She teaches and lectures internationally, and acts as Honorary Fellow at the University of Glasgow, Chairman of the Great Britain-China Education Trust, Trustee of the Sir Percival David Foundation of Chinese Art and Museum Expert Advisor for Hong Kong. In 2015 she was created an Honorary Citizen of Jingdezhen. Author and contributor to 20 books on Asian art, she is a regular contributor to journals and magazines.