Editorial

Highlights of the Lacquer Collection from Myanmar (Burma) in the Victoria and Albert Museum
BY JOHN CLARKE
The lacquer objects from Burma (Myanmar) held by the V&A documents in a representative way lacquer production during the 19th and the early 20th century.

Introduction to The Guimet – French National Museum of Asian Arts
BY YANNICK LINTZ
This article provides an overview of the Guimet Museum, a globally celebrated institution with a truly fascinating history and exceptional collections.

SUMMER 2024 Editorial
BY ROBIN MARKBREITER
This year, to celebrate sixty years of cultural ties between France and China, I am happy to present a special Arts of Asia edition on the Guimet Museum’s major Asian art collections from China, Japan, India, Cambodia and Vietnam…

Artist as Teacher: Lui Shou-Kwan and His Programme of Ink Painting
BY XIN XIONG
This article looks beyond ink master Lui Shou-kwan’s own artistic output and into the less-studied part of his life as an art educator to examine his lasting influence on other ink painters.

SPRING 2024 Editorial
BY ROBIN MARKBREITER
During Japan’s Golden Week in May 2023, I made a trip to Tokyo and Kyoto where I had the pleasure of meeting Mr Toru Niwa, Director of the Suntory Museum of Art at Tokyo Midtown in Roppongi.

From the Silk Road to the Imperial Court: Chinese Textiles in the Cleveland Museum of Art
BY CLARISSA VON SPEE
This article examines the CMA’s magnificent collection of Chinese silks, which among its various collections, has received little attention.

Anyang: China’s Ancient City of Kings
BY J. KEITH WILSON
This article details the Freer Gallery of Art’s centenary exhibition about Anyang, which is the source of China’s earliest surviving written records and the birthplace of Chinese archaeology.

WINTER 2023 Editorial
BY ROBIN MARKBREITER
To commemorate the Freer Gallery of Art’s centenary, I am delighted to publish the article, “Anyang: China’s Ancient City of Kings”…

Meiji Modern: Globalisation and Experimentation in Modern Japanese Art
BY MINORI EGASHIRA
This article reconsiders the art of the Meiji period (1868–1912), which are complicated objects that incorporate a delicate balance of factors from both Japan and the world beyond.

Arts of Asia: The Museum of Fine Arts, Houston Special Issue
BY ARTS OF ASIA
This volume shines the spotlight on the amazing Islamic, South Asian and Japanese artworks of an important American museum.