Description
The collection equally documents the much more refined and sophisticated early Ming style of the Yongle (1403–24) and Xuande (1426–35) reigns, when production was closely controlled by an imperial court with exceptionally high standards. Here, the collection illustrates two stylistic strands that existed side by side: porcelains decorated completely in Chinese taste and vessels in the shapes and patterns of Islamic metalwork from countries in close diplomatic contact with the Chinese court. The wares of this period defined imperial porcelain styles until the end of China’s last dynasty.
Regina Krahl is an independent researcher of Chinese works of art, whose many publications include the three-volume catalogue raisonné Chinese Ceramics in the Topkapi Saray Museum, Istanbul, edited by John Ayers (1986), and the four-volume catalogue Chinese Ceramics from the Meiyintang Collection (1994–2010).
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Book Review of Early Chinese Blue-and-White Porcelain in Arts of Asia
AUTUMN 2023 | MORE FROM THIS ISSUE
SIR JOSEPH HOTUNG (1930–2021) belonged to a prominent Hong Kong dynasty, being the grandson of Sir Robert Hotung (1862–1956), the businessman and philanthropist. Sir Joseph followed the same path, becoming a successful businessman and a philanthropist, who supported human rights, health, education and the arts. He was also a collector of Chinese jades and other early works of art, as well as Western works in various media, including Impressionist paintings. In 1994, he was inspired by a Yuan dynasty (1279–1368) blue and white jar being sold by Sotheby’s Hong Kong, and from that time started to collect early blue and white wares. His criterion was one of feeling, for a piece had to resonate with him before he would consider purchase. This catalogue discusses pieces that were once on display in Sir Joseph’s London study, for London had become his home. The collection is named Mingzhitang (明致堂), or Hall of Enlightenment, after a quotation by Zhuge Liang (181–234), a famous Han dynasty (206 BC–AD 220) scholar….
By Rose Kerr
Click here to access Arts of Asia‘s Autumn 2023 issue for the full article.