Autumn 2024 Magazine

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Editorial by ROBIN MARKBREITER

Correspondence by PAULA SWART

Introduction to The Sedgwick Collection of Early Chinese Ceramics at The Harvard Art Museums by SARAH LAURSEN

Technical Studies of Early Chinese Ceramics from The Sedgwick Collection by ANGELA CHANG, SUSAN COSTELLO, KATHERINE EREMIN, GEORGINA RAYNER, JULIE WERTZ

Forming The Sedgwick Collection: An Interview with Robert D. Mowry by SARAH LAURSEN

Early Green-Glazed Stonewares of the Six Dynasties Period and the Sui Dynasty in The Harvard Art Museums by CHRISTIAN BOEHM

Early White-Glazed Stonewares of the Sui and Tang Dynasties in The Harvard Art Museums by CHRISTIAN BOEHM

Tang Dynasty Earthenwares in The Harvard Art Museums by CHRISTIAN BOEHM

Project Himalayan Art: Connecting Objects, People and Cultures—An Initiative by The Rubin Museum of Art by KARL DEBRECZENY, ELENA PAKHOUTOVA, JORRIT BRITSCHGI

Pictures of One Hundred Beauties: A Set of Cigarette Cards from the Chinese Republican Era by PAUL BEVAN

The Plenitude of the Void: The Japanese Art of Bamboo by PHILIPPE BOUDIN

Japanese Visions of China from The Cowles Collection by FRANK FELTENS

(Saleroom News) Bonhams Paris, Jules Speelman: Completing A Cycle 60 Years of Devotion on June 11th, 2024 by ASAPH HYMAN and EDWARD WILKINSON

(Book Review) Unseen Burma: Early Photography 1862–1962 by PAUL BROMBERG

(Collectors World) Chinese Ceramics: Aesthetics, Science and Collectors, An Interview with Rose Kerr by COLIN SHEAF